Monday, May 26, 2008

Clos de los Siete 2006, $15 Wowee!


With an recession looming and everyone pumping the cost equivalent of 99 point barolo into our cars, you'll be pleased to know there's still some value out there for your wine buck. The 2006 Clos de los Siete is a 92 pointer for $15 or less. Again this cements Argentina as one of the best value growing regions in the world. Coming in at a whopping 15% alc I wouldn't classify this as a summer wine, but if you wait too long, it might not be available come Fall!

Clos de los Siete is a beautiful velvety purple out of the bottle, almost opaque. With plum and vanilla on the nose it literally lures you into the glass. Clos is velvety but leaves a touch of tannin. It's very fruit forward but is surprisingly dry. Definitely let the bottle breath for half an hour before partaking. More affordable wine to come... Cheers!
From Mr. Parker:
The 2006 Clos de los Siete is a slightly different blend with 50% Malbec, 30% Merlot, 10% Cabernet Sauvignon, and 10% Syrah. Opaque purple-colored, it has a similar expressive nose including fragrant plum, blueberry, and black cherry. Ripe, sweet, and seamless, it admirably hides its tannin under all the fruit. It will evolve for several years but who will have the willpower to defer gratification? It is an awesome value. Clos de los Siete is a project of Michel Rolland. The vineyard, located about 60 miles south of Mendoza at about 3000 feet of elevation, has 300 acres in production with another 875 planted

Thursday, May 15, 2008

Wine Ratings, Quick Tutorial


Fortunately learning about wine and wine ratings isn't as stressful as this picture denotes! As you grow older learning becomes more of a fun adventure, and there's no better ride than learning about wine...

If you shop for wine with any frequency you've probably noticed a burst or advertisement under certain bottles with a score, usually in the 80's or 90's. These are wine ratings by industry experts, to 1) sell more wine for the vineyard and 2) further promote themselves in the industry as experts in the field and 3) to make some money! If a wine doesn't have a rating should you buy it? Absolutely. Just because Robert Parker or Wine Spectator rates a wine doesn't necessarily make non-rated wines undrinkable. I'm not absolutely sure of the economics behind which wines are rated and which are not, but I would imagine some money changes hands somewhere along the line. A rated wine will often outsell it's un-rated counterpart by a factor of 2 to 1 and as the rating gets higher, so does the price of the wine.

Personally I love the rating system, it gives a little guidance to the wine shopper when you're staring down the isle of 1000 wines. So what should you look for? There are three common ratings you'll encounter in the US, usually denoted by two alpha characters and a two digit number, e.g. WA 92

RP or WA is Robert Parker aka The Wine Advocate. Mr. Parker rates a lot of new world wines from the Southern Hemisphere and uncovers some amazing values. I tend to share his love of fruit forward wines. He also uncovers some beauty's from Spain & Australia at very affordable prices.

WS is Wine Spectator magazine, the most circulated wine magazine in the Country. Every year Wine Spectator puts out a top 100 wine list and those selected are undoubtedly grinning ear to ear.

ST or IWC is Stephen Tanzer's International Wine Cellar. I don't see many Tanzer rated wine's. Hey Stephen, dust off that passport and start drinking!

So what are these organizations looking for when rating a wine? Appearance, aroma, taste, structure and overall perception to name a few. The following excerpt taken from the Wine Society of Texas website, along with a judging sheet if you want to rate your own wines. Simply take the final score and multiple by five for a 100 point scale. Remember, you are the expert of your own palate, don't let anyone tell you what you like and don't like. Cheers!

P.s. More affordable wine finds coming soon...

Wine Rating Sheet

What is Appearance?
It is the visual perception that the wine provides before tasting. It is further categorized in terms of Color (coloration and intensity appropriate for the varietal) and clarity (clear vs. cloudy). The latter category is usually used to detect differences in winemaking techniques, or defects in the wine caused by bacteria and bad practices.

What is Aroma?
It is what we perceive by smell prior to tasting. Each wine variety has particular aromas that are normally associated with it. The aroma may also vary in intensity depending on many factors such as the type and source of grapes, blending methods and other winemaking techniques. Complex and pleasant aromas are qualities of better wines.

What is Taste?
Tasting is more complicated than was we normally think. It involves a complex interaction of tactile (mouth) feel, taste (sweet, sour and acid), and aroma (smells that actually travel up the back of the throat to the nose. Like aroma, the taste should be appropriate for the grape varietal (Chardonnay, Muscat or Cabernet) and style of wine (e.g. sweet or dry). Taste also has a start, middle and finish. Complex tastes and those that linger tend to be associated with better wines.

What is Overall Perception?
This is most subjective part of wine judging. It is hard to be impartial when in comes to this category. We all have inherent likes and dislikes. But, overall perception is normally used to indicate the overall balance of the wine. Wines that have a balance of flavors, other qualities, (e.g. acid, fruit, body, tannin, sweetness or lack of sweetness) and alcohol are typically highly rated.

Sunday, May 4, 2008

Wine & Global Warming Redux


The following was republished from The Australian Newspaper. I once joked in a previous post that global warming is creating dense and more succulent grapes for wine; I didn't realize it was getting this bad! All wine lovers should be very very concerned.

CLIMATE change could wipe out up to 80 per cent of Australia's wine production as large parts of inland irrigation zones become too hot and dry to support grapevines, a US academic has warned.

Visiting Australia on a fellowship with Melbourne University, environmental scientist Dr Greg Jones said winemakers in the US and Europe were buying up land at higher altitudes and in coastal regions where cooler conditions would provide a buffer to global warming.

Similarly, in Australia, as higher temperatures reduce inland rainfall, horticultural zones reliant on irrigation, such as the Murray-Darling Basin, may no longer be productive.

"The biggest issue in Australia is how the water situation will work its way out. Without irrigation, 80 per cent of the Australian industry is in peril," Dr Jones said.

More than two-thirds of the 1.5 billion litres of wine made in Australia every year comes from hot inland zones, such as South Australia's Riverland.

"In the Murray Darling, without water, adaptation isn't going to be easy. If people can't produce the same volume crop with less water, they'll have to get out."

Meanwhile, drinkers may have to adjust to new varieties as cool-climate areas become warmer, making them unsuitable to grow delicate grapes such as pinot noir.

Dr Jones said these growers can "move up the varietal ladder" by switching to hardier varieties like Cabernet Sauvignon and Shiraz, or even more heat-tolerant varieties such as Vermentino from Spain.

"But if you're in the warmer zones and already growing those varieties and it gets warmer, there are very few varieties left to switch to," he said.

Dr Jones said while climate change was not a rapid process, it was important to begin studying the effects of the problem in order to formulate a timely response.

"It's the difference between me coming running at you with a knife and me telling you a meteor may hit the planet in the next 50 years," he said. "Climate change is slow -- it's hard for people to perceive and grab a hold of a good 10-20 year plan."

Industry veteran Brian McGuigan said climate change was the biggest threat he had seen in 48 years of winemaking, but the industry had so far been unable to decide how to react.

"One of the most concerning things that confronts winemakers and grapegrowers is that we're not aware exactly how extensive the climate change will be, and until we know the answer to that question you don't know how far south or how high you should go to continue making quality wine," he said.

Grapevines cost about $50,000 per hectare to establish, after which they take at least three years to produce a crop.

With more than 170,000 hectares of vines planted across Australia, any decision to move or replace existing vineyards will cost the industry billions.

"We're hog-tied by the concept of having to change where our grapes are grown and where our wineries are, and so we're all biting our nails at the moment hoping that there will be adequate water to keep the vineyards growing in the dryland areas," Mr McGuigan said.

Stuart McNab, director of wine production for Foster's Group, said warmer weather has shortened the time for grapes to ripen by an average of one day for each of the last 20 years.

Mr McNab is heading the company's response to climate change as chairman of the Wine Innovation Cluster, a collaboration of the Australian Wine Research Institute, University of Adelaide, CSIRO, and private research groups Provisor and Sardi.

"It's going to take a bit of time before we have to act in a big fashion. The models are changing and firming up by region," he said.

New areas suitable for growing in the southwest of South Australia and Tasmania were being identified as possible sites for future production, he said.

Peter Gago, chief winemaker at Penfolds, said winemakers with broad portfolios would be best able to adapt to climate change.

"Our warm-climate fruit at the moment may end up being hot-climate fruit, and that's where our fortified wines will come from. Our cool-climate sites might just become warm-climate sites," he said.

"But if you were a single-vineyard winemaker, like a Bordeaux Chateau, you'd be really worried."

Victorian winemaker Brown Bros has pursued a similar diversification strategy, while also pioneering special grape varieties such as Tarrango, developed by the CSIRO for Australian conditions.

Chief executive Ross Brown said the company had also established vineyards at high elevations for cool-climate fruit.

"But if it gets significantly warmer, it might not be cold enough for the cold-climate fruit up in the ranges," he said.

While high-altitude vineyards may be able to be planted with warm-climate fruit, it would mean an end to his company's ability to produce some styles, such as sparkling whites.

"You wouldn't replace them. You'd have to keep looking for a cooler spot. That's the challenge -- can you go any higher or any further south? But you can't go any higher because you run out of soil."